Creative Inspiration: 5 Abstract Artists to check out!

Sometimes it's fun and inspirational to simply troll the net for other artists and check out their work. Here are 5 abstract artists I found that really inspire me...

Karen Laborde (sample of work above)
Just love the first image on her website under "new work"



Nell Tilton (sample of work above)
Particularly love this piece with a strong horizontal composition but so much play and texture that draws me in again and again.




Timothy Dodge (sample of work above)
Love this piece particularly because of the contrast and play he creates between opaque and transparent colours.



German abstract expressionist painter Ralph Gelbert (sample of work above)

The name of this piece is ' Fjordland' which to me speaks of the Fjords in Iceland so he has immediately won me over not only by the work but this name.

http://www.hicksgallery.co.uk/artist_gallery.php?id=51




Gerhard Richter (sample of work above)

Just love the mainly white pieces with etchings and marks. gushhhh...

http://www.gerhard-richter.com/art/paintings/abstracts/detail.php?13809




By the way, and lastly, while I was looking around online I came across a blog that deals solely with abstract works. Check it out: http://www.abstraktion.org/

Creative Inspiration - Artist Trading Cards (ATCs)


Artist Trading Cards:

a wonderful by-product of your practice art that you don't like!

(and scraps from collage and so on)



In my fundamental workshop: Energizing and Experimental Abstract Painting in Acrylics and Mixed Media we all work on lots and lots of little 9 x 12" on loose canvas paintings. Adding paint, removing paint, splatting paint. We may make mini masterpieces but mostly we make a lot of rejects or practice pieces - which I encourage as it really gets participants into process. The challenge is we end up with a lot of unwanted art!


This blog is just ONE of the many things you can do with your little practice pieces when you are finished working on it. My litmus test for whether you should keep working on an art piece is this: if it de-energizes me (ie it ain't fun no more) I know it's time to put it aside: WHen it's not working, give it up! and in this case - turn it into something else.


Artist Trading Cards (ATCs) are simply small little pieces of cut up heavy water color paper (or you could use loose gessoed canvas) in the size of a business card that you can embellish and decorate with scraps from your reject loose canvas pad paintings, among other things - collage papers, found objects, string, yard….the list is endless. My recommendation for adhering things is YES! glue which has a claim to fame of drying flat, that's why I prefer it.



(These pieces were fun as I added in stamps and words)

One year my daughter (I think she was in grade 1 at the time) and I made home made ATCs for every child in her class for valentines day. Hopefully by the time this blog post is due to post I will find them so I can share them with you.


Another thing I sometimes do is make a card and then glue my business card to the back of it and give them away as gifts.


If you need some inspiration for designs of your cards, check out this book: "The Artist Trading Card Workshop" which has tons of images that could leave you creating for hours.


(found the photo - I think we made nearly 30 cards that year for every
child in my daughter's class and both her teachers!!)

Lastly, keep on eye out for my "Creative Inspiration" blogs as I will post more ideas on cool things you can make with your practice pieces/aka unwanted art!

Artist Interview: Lisa Penz


Introducing Vancouver Contemporary Pop Artist Lisa Penz.


Lisa and I have been friends for several years now and it all started at OPUS Framing and Art Supplies. Lisa can you share with us the unique story about how we met? :)


Sure! A few Christmases ago I was given the book "The Artists Way" from my boyfriend. He told me he wanted to give me a special gift and that he had met a really awesome artist who worked at OPUS who recommended this book for me. Over the following weeks he strongly encouraged me to go to OPUS to find this artist because he thought we needed to connect. I went OPUS several times looking for the artist but no luck! I persisted and after my fifth attempt I finally met Deb! She had told me how my boyfriend had visited OPUS, looking for the "best' thing he could get me for Christmas. The book that Deb recommend was the best, but I also got another amazing thing that Christmas.... Deb!


Thanks Lisa. Feelings are mutual! Recently I recall you opened a pop up gallery here in Vancouver. Can you tell us what this is and share your experience about this venture? Thank you.Would you do it again?


During the month of October 2011 I opened up my own 'pop up' gallery, which featured works from my 'Indulgence' collection. The theme 'Indulgence' was a provocative extension of my unique female portrayals. I found subject matter of temptation, guilt and other dark associated emotions to be a very interesting. Although the 'Indulgence' collection contained dark undertones, the surface of this work was very bright, radiant and candy-coated.


I used this 'pop up' forum to both expose the works of talented female artists and to promote Vancouver as a player in the contemporary art world arena. There is so much young artists talent in this city without a lot of the opportunities available to demonstrate it. I wanted the experience for everyone that visited the gallery to be fun, engaging and visceral.


The gallery took nearly 6 months to prepare for 1 month of it being open. It's hard to say if I would do it again. I gained so much from the experience — mainly business skills. I'm so happy to have a better idea now of what it's like to run and curate a gallery.


Link to Lisa's blog: http://lisapenz.com/blog/2011/10/live-painting/


Link to Lisa's Urban Rush tv interview: http://www.youtube.com/lisapenz


Link to photos of Lisa's Pop Up gallery opening: http://www.facebook.com/media/set/?set=a.10150349145865942.351093.177152365941&type=3



I understand you work as a designer and also in theatre you do have a very busy life...How do you make time for painting when it's never urgent nor a priority to take time for our creativity?


It's very difficult to make time for painting. It's even a challenge for me to sit down and write about my work. I can now recognize my avoidance tactics, so I will often stop and force myself to start a project. Once I begin a painting, I get obsessed with it and it's hard for me to walk away from it for a few days.


I like working in themes as that helps get me hyped up about the new body of work and it's a good motivator. Setting deadlines for myself is also a great motivator.




What's your favorite art piece of yours and why? of another artist?



I am attached to a lot of my paintings and for different reasons. One of my favorite pieces is 'Butterscotch Ripple Effect' http://www.lisapenz.com/gallery/2011/butterscotch_ripple_effect.html


This piece was my first of the Indulgence series. I wanted to create a painting that was as beautiful to look at as the chocolate was to taste. I realize that flavours from our childhood hold many wonderful and fantastical associations that stay with us for our entire lives. This is my celebration for that notion.


My favorite piece from another artist is 'Longing To Dance' by Disney artist Larry Nikolai. I've purchased a limited edition giclee of this beautiful work. I've written about it here on my blog http://lisapenz.com/blog/2012/01/returning-to-the-magic/




What are you working on currently and please tell us about it...


I'm working on a new collection. I'm not going to reveal too much at this stage but I'm taking a darker turn with this work — in theme and in tone. On the surface, my female portrayals hint at fairy tale and fantasy, while thematically, they go much deeper.


Stay tuned!



For you, What the best thing about being and artist?


Although this is so very personal from one artist to the next, for me, the best thing about being an artist is being true to your nature. I've been in corporate roles before and it felt like I was living a lie and doing nothing to further myself really or enhance the lives of others. Creating with few limitations is a blessing.



For you, What 's the most challenging thing about being an artist?


Perseverance in the face of rejection and not seeing results is the most challenging.



How would you define success for yourself as an artist ? zWhat are some success you have achieved thus far on your journey, and what has been a key factor in you achieving your success?


That's a complicated question. There are many different levels of success that I think of when trying to define it.


Simply put — if I'm painting what I desire to painting and having the work "out there" seen by others and being recognized for that — I'm successful.


I make a list of new goals every year. Some of them may seem very difficult to achieve and could take six months of solid dedication and perseverance (eg: my Pop Gallery). If I achieve most of my goals by the end of the year, then I'm successful.


Having the freedom to create, touching others in a positive way with my work, getting recognition for that and living comfortably and happily — that's success to me.


A factor in achieving my success has been prioritizing and tackling those most important things first. I get easily overwhelmed thinking of the infinite possibilities and paths to follow. Sticking with my top priorities helps maintain focus.


What 3 pieces of advice would you give to other artists?


- Follow your intuition with your artwork. It may work or not work but at least you can feel you were true to yourself.


- Every artist has their own story. Make your own path and practice what works for you.


- Be mentally prepared to make your art a lifetime commitment.


I am, as you know, a big believer in self care - especially for artists! What do you do to nourish your self and soul?


I have a lot of little rituals that I incorporate into my day. For example - I take time at the end of the day to go for a 10-20 min walk. This is really simple but I find that if I do it, I'm a lot happier and more productive.



Lisa, thank you so much for taking the time for this interview. Connect with Lisa Penz and visit her website here:


Lisa Penz prints and original work are for sale —via facebook page http://www.facebook.com/LisaPenzArtworks

and website http://www.lisapenz.com/

Details of January's Vancouver Public Library Talk " Illuminate The Artist Within"





Wednesday January 18th, 2012 marked my first public presentation which was entitled "Illuminate the Artist Within" and held at downtown Vancouver public library. We had a head count attendance of 105 people with a full room. I want to give special thanks to Amber Ritchie for setting up the event, Drew Hutchinson for recording it, and my friend David who sold copies of The Little Inspiration Book and also Artist of British Columbia, Vol 3. Thank you all!


The presentation was well received and I have to say the audience was awesome and fully participated and honestly made my job fun and easy!

We discussed what creative dreams we have, what stop us from getting to those dreams, how we can over come those blocks, and lastly the benefits are to ourselves ( and often those around us) of being in creative process.

Funniest part? A young man at the end of the presentation came up, thanked me and asked me to sign his bare chest!!! ( I signed with a ball point but I wish I'd had a sharpie on me!!)


The next day I sat snuggled up on my sofa, opened up my lap top, and read several emails from presentation participants. I'm taking the liberty to post them but I have to admit I did not ask for their permission to re-print these emails but truthfully I was so excited by their comments that I just had to share them here with you...

“Thank you for taking the leap and doing that session - I am one person, and probably not the only person, who made a big leap myself because of it. I've taken that little step you recommend (and will take a little step more often) which was to choose the best paper for a watercolour drawing. And in so doing, stumbled across a little gem of a painting of my little cat that I had forgotten I'd done. It hadn't turned out as I wanted it to, last spring, and tonight I fell in love with it. “ - Kathryn

“I just want to say that I thoroughly enjoyed your talk tonight at the library. Well done - you were amazing!!! Fear plays such a prominent role in the lives of people and it is so important to address it. You have great energy and I know you are the teacher for me. As I mentioned in a previous e-mail, after having been to your recent Opus demo, I will be taking the beginner's weekend course with you.” - Adrien

“Thanks again for bringing such a wonderful program to our Library. It was a terrific turn-out, and the audience was very appreciative – one gentleman told me to keep an eye on Vancouver’s creative output, because you just lit some fires! I know I’m going to make use of your tips myself!” Amber Ritchie, Community Relations Librarian, Vancouver Public Library, Central Library


If you missed the talk, it is be posted on youtube here:

Deb Chaney: Illuminate the Artist Within Presentation Part 1 - http://youtu.be/NoNNnZKtQ_U

Deb Chaney: Illuminate the Artist Within Presentation Part 2 -

Deb Chaney: Illuminate the Artist Within Presentation Part 3 -

Deb Chaney: Illuminate the Artist Within Presentation Part 4 - http://youtu.be/Rt85OBD8_W4


Havana Gallery: New Pure Abstraction Paintings

Birds on a Wire

Mixed Media, Acrylics, & Collage on Canvas
36 x 36 “

Just a wee little blog to announce the opening for a short 2 week show "Pure Abstraction" Abstract mixed media works on canvas being held Havana Gallery. The show went up last Thursday and I was warmly received by Havana restaurant staff and gallery curator Patrick as well as the restaurant owner. I do have to say that the staff were incredibly enthusiastic, curious, excited, and supportive as I set up - Thank you all!



Dates: Show runs Feb 5 - Feb. 18, 2012


Location: Havana Cafe and Restaurant

1212 Commercial Drive, Vancouver, British Columbia V5L 3X4

Ph (604) 253-9119 loc. 402

website: http://www.havanarestaurant.ca/


Gallery Advisor: Ken Conquer

Artist Liaison: Patrick O’Doherty


All Red

30 x 40 “ Mixed Media, Acrylics, on canvas.


I decided not to have an opening as I chose to go away with my family to Whidbey Island that weekend instead --- see photos of my short getaway on an upcoming "breathing space" blog post -- however if you are interested in purchasing any of the works I'd be delighted to meet with you there. info@debchaney.com (604) 736-5111.



Uncommon Lines I & II

(on the left)

Mixed Media, Acrylics, & Collage on Canvas


As a side note, during my art show set up I got to see the back theatre which to be honest until now I didn't even know existed! It's super cute hidden away behind the restaurant and can fit 50 people with shows ongoing and comedy being featured on the weekends.


3 paintings from left to right

Vancouver Morning

28 x 36” Mixed Media

Romance II

36 x 34” Mixed Media, Acrylics on Canvas

Mystic Places

40 x 30” Mixed Media, Acrylics

& Sand on Canvas


Here's a link to the theatre schedule if you're in the area and would enjoy a live performance:

http://www.havanarestaurant.ca/Theatre/tabid/2830/Default.aspx


You can see many of these paintings up close and in detail here: http://www.debchaney.com/debchaney/Art_Portfolio/Pages/PureAbstraction.html#0


Encaustic Painting Set - for sale


This is an encaustic painting plate with pots for wax, a burner and a heat gun specifically for encaustic painting with 2 different heads. There are also wax papers for practice and instructions. The entire set (except for the heat gun) has never been used. One piece -- the long metal thing needs to be re-attached as it came loose during transportation. But it is in NEW condition and would cost over $350 for all this new or more. Sold as is. $200 cash.

To purchase or inquire please contact info@debchaney.com/ (604) 736-5111

Artist Interview: Donna Giraud

For this months' feature Artist interview, I'd like to introduce you to a personal friend and Vancouver Contemporary Abstract Artist Donna Giraud.

Donna and I have been friends for several years now and it all started when she found my workshops online. Donna took both the Energizing and Experimental as well as the advanced workshop on how to create thick and encaustic layers using acrylics and mediums. But even more interestingly is the story of how Donna, a full time Registered Nurse got painting on her own in the first place. Donna, I'd love you to share your story with our readers...


I first picked up a paint brush after I was inspired by a painting I saw hanging in a restaurant. I thought to myself, "I want to try and create something that made me feel the way i did when I looked at that other painting." I have to be honest and admit I certainly didn't "knock it out of the park" on my first attempt, but I realized I had found a way to express myself. I began finding paintings on line that inspired me and I tried to mimic their qualities. I was open to trying mixed media and various acrylic products and just played around for a few years. When I started creating my own original pieces, I was happily surprised by the overwhelming response from friends and family and I thought that this was an avenue I should probably take more seriously. I began selling my paintings about 4 years ago and have taken some courses recently. Now I am happy to say that I have partaken in exhibitions, shows and markets and I am excited with what the future has in store.


So your first step was to actually start painting and then you started showing and subsequently selling your work. Can you tell us about that? Where did you first show your work and what was it like selling your first painting?


After I had been painting for a couple of years and selling paintings to friends and family, I developed enough confidence and decided to host an open house in my home to feature my work. It was a very successful night which in turn gave me more courage to tackle the public. I had heard of the local artisan market "Portobello West" and was successfully chosen to be a vendor at the march market last year (2011). From that I was accepted as an emerging artist at the One of a Kind Show and Sale and was also given the opportunity to have my first solo exhibition at Raw Canvas (I was introduced to their art director Matthew by the one and only Deb, thank you for that Deb!!!)


I feel that Raw Canvas (www.rawcanvas.com) was where it all began. I was able to have my art hanging publicly and it felt like I had finally proven to myself that I had something that people were interested in and overwhelmingly supported. I sold three pieces that night and that whole experience working with the team at Raw Canvas was something that I will never expect.



Recently I recall you set up a booth at the One of A Kind show in Vancouver. Can you tell us about this experience. Pluses/drawbacks. Anything you'd do differently if you did the show again.


I was lucky enough to be one of the seven chosen "Emerging Artists" at the One of a Kind Art Show and Sale in Dec 8-11th 2011. (www.oneofakindvancouver.com)

It was an incredible experience. Not only did I sell a lot of paintings, I was able to meet some amazing artists that I will be collaborating with in the near future and met some incredible people that gave me nothing less than overwhelming support and inspiration to keep doing what I am doing.




So going back to the start of this interview you do have a very busy life working full time as a nurse...How the heck do you make time for painting when it's never urgent nor a priority to take time for our creativity? Please share your secrets!


This is definitely where I struggle. I wish I was able to have all the time in the world to explore my creative side, but since I don't (yet), I just have to make it a priority. I am lucky enough to have the schedule where I get home at a reasonable hour each day and still have the time to tap into my creative process as well. Painting is one of those few things that "fills my soul" and its an active form of meditation for me. I know that there are a few things in my life that help keep me centered and fulfilled, and painting is one of those things. I tell a story with each of my paintings and its my release and therapy time. There are so many great things that come out of my painting that I would be crazy not to want to do it as much as I can, so I do.




What's your favorite art piece of yours and why?


My favorite piece of mine is Titled "REFFAJ". I just recently sold it and I can honestly say that I have felt the separation. The story and feelings that inspired the painting were so intense and the journey it took to actually finish the piece was nothing like I had ever experienced before. The painting essentially represented the many layers to an individual (in this case, me) and in the moments of darkness, there is still hope. This piece was a very therapeutic process and I became very attached. Gratefully, it found an amazing home to live in and I am sure they are enjoying it as much as I did.



What are you working on currently and please tell us about it... As much as the colour/design but also the meaning of your work and what inspires you.


I am now working on my 2012 collection and I have transitioned back to canvas (I had previously been working only on wood panel for the last year). Last years collection was highly representative of the struggles and hurt that I had endured the previous year and the process in which I overcame that pain. I can honestly say that I have come out stronger on the other side and I am completely inspired to paint from a place of healing now. Most of my art is highly texturized which encourages up close curiosity by the viewer and I am drawn to the earth tones as these colors best represent the emotions that I am trying to convey.



For you, What the best thing about being and artist?

The best thing about being an artist is experiencing the emotions that my paintings create for other people. I am fascinated by the diversity of people's imaginations and the power that color and texture can have on someone. I adore the abstract form as it allows people to come up with their own interpretations and if I can create that one piece that is going to "speak to somebody", then I have done what i have set out to do.



For you, What 's the most challenging thing about being an artist?

The most challenging thing about being an artist for me is trying not to be so hard on myself and just being one with the creative process. We all have less creative days, and I just try and remind myself that . When I just approach painting with an open expectation and not feel like I have to produce a master piece each time, the journey with a painting is so much more rewarding.




How would you define success for yourself as an artist ? What are some success you have achieved thus far on your journey, and what has been a key factor in you achieving your success?

I would define being a successful artist by "continuing to paint because it fills my soul". Obviously, if I can get/sell my paintings to the public and world to enjoy, then that's just an added bonus. The success that I have achieved thus far in my journey is a) finding the courage to put myself out there and actually become an artist and keep at it, and b) having my first solo exhibition at Raw Canvas. I can't remember a better feeling than being in a room filled with people who love and support what I do.



What 3 pieces of advice would you give to other artists?

1) Just pick up the paintbrush and paint. You'll learn tricks, you'll figure out what works, what doesn't, but you can't do that unless you paint. Don't be afraid to get a little messy and makes some mistakes. Sometimes the worst mistakes make some of the best paintings.

2) Promote, promote, promote. You are your biggest fan and ally and you need to sell yourself and believe in yourself. Be proud of what you do and let people in with your story and process. People love to hear that stuff.

3) Reach out to the artist community. You'll find that other artists are going through the same things and it's always good to ask them what they have learned or how they have dealt with things in the past. They can then be another promoter of your art and the whole "snowball" effect starts there; Artists supporting artists (for example, this blog!!)



I am, as you know, a big believer in self care - especially for artists! What do you do to nourish your self and soul? to re-energizing yourself i fyou're feeling over taxed or drained, how to you re-group so to speak?

I am a huge believer in self care. I was once told to "fill your cup full for you, everything else that spills over is for everyone else." You are no good to anyone else unless you are happy with you. The top four things that nourish and revitalize me are a) obviously painting, b) walking (i'll walk for hours), c) reading and d) spending time with my friends and family.

Life is so hectic and there are so many things that can throw us off balance. I make it a point to listen to my body and not feel guilty about spending time for myself to re-energize.




What recent or upcoming shows/and or gallery representation can we look out for or go and see of your work?

I am excited about the upcoming year. I have a three month show at Lut Boutique (www.lutboutique.com) some time during the summer (dates still to be finalized) and I am collaborating with two artists that I met at the One of a Kind Show and we are organizing our own emerging artist group show for september. I have some art available on line with Raw Canvas (www.rawcanvas.com) and I am always willing to set up a viewing either at my home or by bringing my art to your home to see how it looks in your space.



Email: info@donnagiraud.com

Website: www.donnagiraud.com

Facebook: www.facebook.com/donnagiraudart

Twitter: @donnagiraud


A few days after posting this blog, Donna send me a link showing her recent interview with OOPS Magazine from Japan! Hey Donna, I never knew you were a soccer star! Very Cool. You can find the interview at: www.oopsweb.com



Telus TV Interview


Last year (2011) I was contacted by TELUS TV Producer, Mia Jagpal, who had seen a workshop flyer of mine posted at a coffee shop in Gastown, got intrigued about my art, myself, and my story and called me to ask for an in studio interview.

It was the week prior to the Culture Crawl so my studio was set up to show art, not really make it. Never the less 2 and a half hours later we talked about art, creativity, my process and inspiration and they even got me painting! (best part!) Oddly enough the little painting I worked on during the filming ( a 9 x 12" little gem on loose canvas) ended up selling to one of the first collectors that stopped by my studio the Culture Crawl weekend!

Here is a link to where you can see what aired on local TELUS TV from the interivew. I think Mia said they could condense 2.5 hours into 7 minutes so it'll be interesting to see what remained!

**Please note, my segment comes third after the underground circus and healthy shopping features.

View at: http://vimeo.com/telus/review/34817512/a8c7334cff please login with the following password: telus.
This episode is available for 30 days from the date you received the link. (Tuesday January
17th, 2012). Due to storage restrictions, we will no longer have access to your content after the 30 day window. We will not be able to provide you a link at a future date, if you miss the window.
Again, thank you for sharing your story with us and should you have any feedback or story ideas, please don’t hesitate to contact our team at myCommunityTV@TELUS.com

Enjoy!


Upcoming Free Presentation "Illuminate the ARtist Within" with Deb Chaney at the Downtown Vancouver Public LIbarary


Illuminate the Artist Within

A free public presentation by Deb Chaney


Spend an hour with Deb Chaney and re-ignite your inner artist. Learn what stops us from making our dreams a reality, and how you can go beyond the blocks. Giving yourself permission to pursue your creative dream may be the best gift you ever give yourself. Find out why.


Date/Time: Wednesday January 18th 2012, 7:00 pm


Location: Alma VanDusen & Peter Kaye Rooms, Central Vancouver Library, 350 West Georgia St.


Admission is free. Seating is limited.


2012 New Year's Goals


As is my custom since I started writing a blog, now nearly 5 years ago, every year at the start of the year I share my goals.


I've learned that the simpler my goals are, the more likely I am to keep my commitments and make the goal.


I like specifically setting goals in various areas of my life that are important to me such as health, friends, travel, my daughter Ruthie, and my business/earnings. There are many other

categories I'm sure but these came up quickly and easily for me and seem important this year.


In sharing my goals with you ( thanks for reading!) it makes me even more committed to keep my word. It's also my hope that I inspire you to set off and make your dreams and goals come true by first putting them in writing. Good luck and feel free to share one or more of your 2012 goals in the comments section below the blog!



Deb's New year's Resolutions/Goals for 2012


(in no particular order, all these categories are important)



Health - just being, dancing, eating well, yoga, deep breaths, walks, sauna, skiing, hiking,


journalling, art making for me.




Business - Delegate as much as my business as possible.











Friends - connections, music, laughter, trust, reciprocation, good food, gatherings with women, walks.










Money - Double (or more) my 2011 income and save 15% of what I earn.








Travel -- Visit France/Spain-- bring my bike and tour!








Ruthie -- camping together in the summer to the Queen Charlotte Islands. (Hadai Gwai)













Breathing Space: Skiing at Mt. Seymour

Absolutely lovely sunny December day telemark skiing up, and down, Mt. Seymour just out of North Vancouver. Could not have asked for a better day. All I can say is thank good ness for epsom salt baths when I got home. This was my second time skiing in 10 years, so might I say my muscles are still re-adjusting! Needless to say, this exertion was a wonderful re-set and break for my soul and the perfect half day vacation prior to Christmas.




















Here is a little youtube video I posted when I got to the top. Beautiful panoramic view at the top of Vancouver. http://www.youtube.com/watch?v=LgNTFsgQ4i0&list=UUECPFG9j_82Bq4h0HeAUujw&index=2&feature=plcp


Pictures from the Advanced Workshop "Using Acrylics to Create Encaustic Effects"

First off I 'd like to apologize to all my advanced students who took the thick and layered - creating encaustic effects with acrylics workshops both this past October 2011 and in May/June 2011. I was sorting through files, photographs and blogs between christmas and new years and noticed that I had never posted these. My apologies.

To new or prospective students, these are photos from inside this workshop and would give you a great sense of what you would do, learn, and experience inside the "Using Acrylics to Create Encaustic Effects" workshop . Keep in mind that every workshop varies a little as I like to keep things interesting and am constantly improving them! Enjoy!

Embedding heavier objects - such as old chinese coins - into mixed media paintings.

The demo table - so much stuff, so much fun!

Taking notes, asking questions, watching Deb throw paint and mediums around!


Deb sanding acrylic p aints and mediums with an electric sander.


Going outside to talk about using an electric sander with acrylic paints and mediums.

Exploring mark making with different shapes, lines, and with both adding and removing paint.

Buttering on a thick opaque layer over a ground.

The girls go at one of my paintings, overcoming fears and just going for it!

Making acrylics paint stay wet longer with retarder.

Using GOLDEN absorbent ground.

Adding a clear transparent textured layer using regular gel.

An example of a painting using various different opaque, transparent, and translucent mediums to create depth, texture and interesting effects.

Seeing how light moulding paste can hold stencil shapes so well.

working with small pieces can be a great way to get to play with mediums.




Adding layers extended with water and gloss polymer medium.
Liquid acrylics work best for this process. Adding water increases the flow of the paints.

Creating a textured ground using Liquitex super heavy gesso,
and then adding glaze layers over top.


Dripping layers. So much fun!


Pouring clear polymer gloss medium right on top of the painting.

Using a putty knife to apply thick opaque super heavy gesso.

Applying a thin layer of glaze onto the dried textured ground. GOLDEN liquid acrylics works best for this!




A beautiful thickly painted under layer with some etching marks in it. Love this green colour!

Amanda enjoying the process! The green seemed to be very popular with this particular workshop!


So much fun - mixing paint and applying thick layers and scratching back into them.

Working away!

Everyone seemed to be working on green paintings for a while during this workshop!

Our fantastic and very enthusiastic father-son duo painting away!






Beautiful etch marks textures into that first thick opaque layer. Two more layers to go!

Working away!



Paintings on panel put by the fire and fan to dry.


Fran and Nicole really enjoying the process.









Deb priming a board with GAC 100 to prevent SID ( support induced discolouration)



GAC 100 - a mixed media painter's best friend. Use it to prime masonite, metal, wood or plastic. Use as a clear gesso. Use in between layers to add tooth on hard to adhere to materials such as pouring medium, self leveling clear tar gel and polymer gloss medium.

Student painting

Registration has now started for the next advanced workshop....

FEBRUARY 2012

Thick, Layered & Encaustic-like Abstract Paintings. How to Build thick layers with Acrylic Mediums.

Dates: Saturday & Sunday February 25 & 26th, 9 AM - 4 PM. VANCOUVER , BC. TWO DAYS.

Registration: info@debchaney.com (604) 736-5111

Cost: $375.

Interview from Macedonian Art Student

Recently, via Facebook Sasho Ackovski from Macedonia contacted me and asked me a few question about being a professional artist. First, here is a little about Sacho and what he is doing with respect to his art and studies ...

"Hi Deb...firstly I want to thank you for your answers, it will be a great help for may essay. I will use this answers for my exam in history of art, I should write a short essay about " what conditions must to be done if you want t o be a free artist (professional artist)" I intend to make comparison of conditions in my country- Macedonia with conditions from other countries if I get response from other artists. This essay is a part of larger project which we need to do with my colleagues, we should explore the relations between artist, audience and institutions. My task is "Free artist"...a kind of institutional critique.
The essay will not be published in media , it will be used only for a personal purpose and if you allow me your name will be mentioned in the essay. If you are interested in I will send you a finished version.
I found you accidentally on net, when I looking for an idea to make some painting and I saw some of your paintings….and than I sand you a friend request……
I live in Skopje the capital city of Macedonia,I am born in 15.07. 1972. I have finished high school of economy. Now I am a student faculty of fine arts in Skopje “St. Ciryl and Metodius”. This is my final year of study, I will graduate in June as a “Painter with directions- conservations and restoration”. I have several group exhibitions and I hope that my solo exhibition will happen next summer. Except studying I am working a part time as a waiter in a hotel “Aleksandar palace” to pay for my study. My hobby is playing a guitar."

I thought I would share this with you as some of you may be interested in his questions and my answers.

1. How many solo exhibition you need to get status as a professional artist ?There is no set number of exhibition you have to have that I know of. But if you are applying for a certain competition or status (ex. I am an elected member of the Society of Canadian Artists which gives me SCA status) they might sometime ask that you have done 'X' number of show before you can submit to them.

2. Is it necessary some kind of art education ? Many artists that I work with and have mentored with have no formal art education. Many of my contemporaries also have plenty of art education -- BA, MFA, pHD. It varies. Education does not = success.

3. Do professional artists have any support by institution,state, museums and galleries?It's going to be different in every country. For example, in Canada you can apply for grants through the Canada ARts Council ( government funded). When I lived in California USA, there were many private grants available. There are programs and funding available through museums and so on but I don't have much knowledge of them.

4. Does he pay taxes ? Yes, when you are earning money as an artist it is like any other business, you must declare your income and pay taxes.

5. Some information about paying health and pension insurance and pension. Basically you are considered a sole proprietor/self employed so you have to look after all of these things for yourself.

6. Is it possible financially to survive as a free artist or you need extra job ? Most artist have another job, but, it is possible - I work solely as an artist and support myself from the sales of my fine art and my workshops. I don't have another job. :)

7. Which term you use for- free artist ? Professional artist. for me, that means someone who is making money from their art. As opposed to a hobbiest.

8. Few things that you do not like about work of institution, museums and galleries? Basically as soon as you start working with them ( museums, galleries, etc) you have to enter into an agreement in which you must abide by their rules. Some galleries won't let you be shown at other galleries. Some galleries may take a % of sales income if you sell an art piece directly to a collector. Some galleries force you to charge the same prices as their gallery at your open studio show and other shows. The list goes on.... Each artist has to decide if the agreement is worth it for them.

9. By the way I like your style of painting... Thank you


Hot off the press: BC Artists 3rd Edition Book -- Just in time for Xmas




This could make a nice last minute christmas gift to inspire an artist in your life... .

Artists of British Columbia, Volume 3, Editor is Leighdon Studio Gallery/ Jane Richardson. ISBN 978-0-9783296-8-6. Soft cover. 112 pages, 9” x 9”. Published January 1, 2012. $19.95

This book, the third volume in the Artist of British Columbia book series, included information about thirty-nine British Columbia artists with sixty-five colour reproductions of their work. These artists are different from those who have already appeared in Volumes 1 and 2.

Artwork presented includes paintings (acrylic, oil, watercolour, and mixed media/collage) conté and graphite drawings, as well as hand-painted silk works, Chigiri-é, digital merged media, photography, and Raku ceramic sculpture.

Featured artists include Appleby, Argyros, Balma, Bernard, Bilodeau, Bruno, Chaney, Clark, Desjardins, Eisenbock, Faessler, Fogell, Gavel, Greig, Gunnars, Hill, Jaxon, King, Maurus, Maximchuk, McLennan, Mithrush, Mohr, Muma, Nichols, Osterlind, Pehme, Pistak, Roddie, Salemink-Roos, Scharback, Schmidt, Simpson, Stewart, Strong, Tiernan, Varney, Wade, Ward.

Contact the Publisher for more information:

Jane Richardson

Leighdon Studio Gallery

604-926-8477

in Sechelt 1-604-740-0315

jane@leighdon.ca

www.leighdon.ca



Collage Creations Workshop - PHotos!


The end of November marked the first Collage Creations workshop to run. We had a small group and enjoyed my home studio with the beautiful view of east vancouver - lots of light- and each participant had their own table to spread out and make a beautiful creative messes! Here's a look of what we did...

Yarn, collage papers, bicycles, horses ... no limit collage art!

We practiced gold leaf. Here's my gold leaf moon on a practice piece.


Beautiful messes of art in process. Love all the colours, textures and papers!




We made unique hand made journal covers from the white craft paper that covered our tables during the weekend and took our spills and drips.

Stained tissue papers, split ink, stamping...
Staining with india ink and acrylic inks

Our letters and lazertran project...layers of paint, old letters, gel medium, inks, and special image printed on clear lazertran paper as a focal point for the collage project.

My letteres project in process.
Dipping the dry printed image on lazertran paper into warm water to let the back peel off.

Hannah soaking her lazertran paper (warm water)

The start of a stained tissue paper colllage with inda ink and stamps.


Split ink technique on hot press paper with stained tissue papers using liquid acrylics.


Debbie hard at work/play.



A myriad of collage and round papers ready for use.


Full view of studio.

Deb's tissue paper collage piece in process. Rocks are so useful to prevent the light tissue paper pieces from blowing away!

Hannah working away.



Using the brayer to roll on thin scattered layers of paint and create beautiful effects.

Watching Deb demo.


Integrating old Little Gems from the Energizing and Experimental workshop into new collage work!

So much fun with many layers and adding gold paint pen embellishments to add some zing!


Hand printed words and PITT pen india ink scribblings added to layers of collage.

Want to do it? Next workshop runs in March 2012. details at http://www.debchaney.com -->workshops. "Collage Creations" see you then.

Montessori kids visit the studio!

In November this year a wonderful group of grade 6/7 kids from North Star Montessori Schoolin North Vancouver came to visit my studio/home and to do some abstract painting. They were in process of organizing and fundraising for an upcoming trip to New York to visit the UN. The plan was to paint some abstract paintings and auction them off to their parents to raise funds for the trip.

The group were a delight to have and seemed to really enjoy exploring the studio, abstract painting, and goofing off! My favorite part? The girls giving me big hugs on their way out! Love you guys!
We integrated water soluble graphite pencils into our abstract paintings.

On the left: dry light moulding paste overlain with charcoal. On the right charcoal was rubbed over dry acrylics
.
Busy working!

Beautiful!

Hannah in her painting groove. We did some dancing too. Great fun!

In the foreground: stamping with foam stamps using basic acrylics.









Deb talking about abstract painting principles and pulling their paintings together. These kids were great listeners!

Hard at play!

Liam dissolves rubbing alcohol onto wet turquoise acrylic paint.

Using sea sponges.
Dripping, scraping, painting, putting on, removing. Busy bees at work.

Every one enjoyed spraying rubbing alcohol onto their wet acrylic paintings
to create neat effects.

Concentrating.

Up close. Love those little hands.

Using the back of our paint brushes to add scrape lines into our paintings.

Mixing paints with palette knife to create that right hue for her painting.





Creative Inspiration: using Clear Tar Gel

Here's a small easy little project you which will give you a super cool little final product that
looks like encaustic art ( wax painting) and will give you experience using clear tar gel and self leveling clear tar gel. You can do one step at a time in less than five minutes, then put the project aside and go to work/school/ live your life....come back and after 5 steps and lots of in between drying time, you'll be there!


Here's what you'll need to set up:
  1. clear tar gel in a squeeze bottle
  2. self leveling clear tag gel ( and a spoon to scoop it out)

  3. a small canvas or wood board (3" x 3" or so)
  4. A heavy body acrylic paint - colour of your choice (brush to put it on)
  5. Rubbing alcohol and a small piece of sand paper
  6. water bucket and paper towels

step 1. Start by painting your little canvas/board the colour of your choice. If you are using heavy body acrylic paints, put this layer on thick so the colour is opaque. let it dry.


step 2. Once the under layer of acrylic is dry, using your squeeze bottle, put down some drops or lines or shapes of clear tar gel. Keep in mind that wherever you choose to put the clear tar gel the colour under neath is will be preserved in the process of this project. Let it dry overnight.


step 3. Once the paint and clear tar gel layer is dry, go at it with your rubbing alcohol and sand paper. Some of the paint from your first layer will come off and you will create a warn out mottled effects. Notice that you can't remove the clear tar gel so the colour under neath that will stay in tact.

step 4. (Optional step.) If you want to you could add a found object or collage to your little

painting at this point. Adhere paper with soft gel gloss. Adhere heavier found objects with regular or heavy gel. Let it dry.


step 5. Your final step. Now smother the entire little painting with self leveling clear tar gel. This is a beautiful way to integrate all your layers as well if you chose to add an object or paper it will make them look like they are embed in wax - looks super cool. Let it dry overnight.


Have fun and enjoy the process!



If you enjoyed this process and would love to learn more things like this, you might enjoy:Thick,

Layered & Encaustic-like Abstract Paintings: How to Build Thick layers with Acrylic Mediums. (2 DAY WORKSHOP) More details here: http://www.debchaney.com/debchaney/Workshops.html

a huge post-CRAWL Thank you!


Thank you so much for everyone that stopped by the studio this last weekend for the 2011 East End Culture Crawl. In total at the ARC we had 2, 400 visitors and I want to give everyone so much for credit for walking up those stairs on Sunday when the elevators broke! Thank you!


I also especially want to thank Jeffrey Boone for stopping by and for facilitating the studio interview for a number of us artist at the ARC with Novus TV. (www.novuscommunitytv.ca) (youtube.com/novusTV).

Also a heart felt thank you to my dear friends Mir whom brought me lunch and Tim Sullivan who hung out with me pretty much all of Sunday so I could take breathers, eat, and go see other studios - thank you Tim!

and last but by no means least a HUGE thank you to Bill Chaney for organizing, packing and shipping up my propanels in time for this show. The panels made the show and it's all thank you to Bill - THANK YOU!!!





2011 Culture Crawl original art collectors of Deb Chaney's work - Thank you!



















a big pre-CRAWL Thank you


This upcoming Culture Crawl show (Nov. 18, 19 & 20th) would not be possible without the help of many people. To start I want to thank my parents, Rob and Margaret Bear for helping raise Ruthie like their own daughter. Without your help I would not be able to do what I do – Thank you. I love you!


I am eternally grateful to my neighbors. For the men that pulled together and built the loft you will see when you visit my new home/studio (#704, 1701 Powell St) -Thomas Hughes, Mir Agol and Darcy Davis of The ARC. I thank you for your time, effort and kindness. Rena and Thomasz for every cup of tea, every meal, and being there when I needed an ear to bend – Thank you. Janet Sadel for our collaborative breakfasts and dinners - I’m always grateful to be fed - thank you!


To all my workshop participants, private students, and community center students – thank you for showing up, for your enthusiasm, and for telling you friends about my workshops.


Thank You to all my art collectors…To everyone that made it to my open studio at the CRAWL last year and at AIOM earlier this year. Especially Krisse and Jen and Volution Salon in Kits for hosing my best show ever. Thank you ALL for making an investment with my work.


Thank you Guy Thornburn and all the staff at Embers Build a Business program who have supported me in creating my dream. Melanie Buffel for six months of amazing money coaching.


THANK YOU Kiona Hartl for your inspiring friendship. Lisa Penz for always raising the bar and inspiring and motivating me. Trista Galbraith for supportive phone calls, Misty Hogan for sweet FB posts, Lyza Loo for being there. Thank you Kim Boivin for helping me create a better me every week, Dr. Judith Bush for so much support, Theresa Ross & Mary Ayles for stepping up, Darcy at POKE Community Acupuncture for all your help and support.


And to every one in my life that brings love, light, support, food, hot tea, warm hugs and support - thank you!