Artist Interview: Donna Giraud

For this months' feature Artist interview, I'd like to introduce you to a personal friend and Vancouver Contemporary Abstract Artist Donna Giraud.

Donna and I have been friends for several years now and it all started when she found my workshops online. Donna took both the Energizing and Experimental as well as the advanced workshop on how to create thick and encaustic layers using acrylics and mediums. But even more interestingly is the story of how Donna, a full time Registered Nurse got painting on her own in the first place. Donna, I'd love you to share your story with our readers...


I first picked up a paint brush after I was inspired by a painting I saw hanging in a restaurant. I thought to myself, "I want to try and create something that made me feel the way i did when I looked at that other painting." I have to be honest and admit I certainly didn't "knock it out of the park" on my first attempt, but I realized I had found a way to express myself. I began finding paintings on line that inspired me and I tried to mimic their qualities. I was open to trying mixed media and various acrylic products and just played around for a few years. When I started creating my own original pieces, I was happily surprised by the overwhelming response from friends and family and I thought that this was an avenue I should probably take more seriously. I began selling my paintings about 4 years ago and have taken some courses recently. Now I am happy to say that I have partaken in exhibitions, shows and markets and I am excited with what the future has in store.


So your first step was to actually start painting and then you started showing and subsequently selling your work. Can you tell us about that? Where did you first show your work and what was it like selling your first painting?


After I had been painting for a couple of years and selling paintings to friends and family, I developed enough confidence and decided to host an open house in my home to feature my work. It was a very successful night which in turn gave me more courage to tackle the public. I had heard of the local artisan market "Portobello West" and was successfully chosen to be a vendor at the march market last year (2011). From that I was accepted as an emerging artist at the One of a Kind Show and Sale and was also given the opportunity to have my first solo exhibition at Raw Canvas (I was introduced to their art director Matthew by the one and only Deb, thank you for that Deb!!!)


I feel that Raw Canvas (www.rawcanvas.com) was where it all began. I was able to have my art hanging publicly and it felt like I had finally proven to myself that I had something that people were interested in and overwhelmingly supported. I sold three pieces that night and that whole experience working with the team at Raw Canvas was something that I will never expect.



Recently I recall you set up a booth at the One of A Kind show in Vancouver. Can you tell us about this experience. Pluses/drawbacks. Anything you'd do differently if you did the show again.


I was lucky enough to be one of the seven chosen "Emerging Artists" at the One of a Kind Art Show and Sale in Dec 8-11th 2011. (www.oneofakindvancouver.com)

It was an incredible experience. Not only did I sell a lot of paintings, I was able to meet some amazing artists that I will be collaborating with in the near future and met some incredible people that gave me nothing less than overwhelming support and inspiration to keep doing what I am doing.




So going back to the start of this interview you do have a very busy life working full time as a nurse...How the heck do you make time for painting when it's never urgent nor a priority to take time for our creativity? Please share your secrets!


This is definitely where I struggle. I wish I was able to have all the time in the world to explore my creative side, but since I don't (yet), I just have to make it a priority. I am lucky enough to have the schedule where I get home at a reasonable hour each day and still have the time to tap into my creative process as well. Painting is one of those few things that "fills my soul" and its an active form of meditation for me. I know that there are a few things in my life that help keep me centered and fulfilled, and painting is one of those things. I tell a story with each of my paintings and its my release and therapy time. There are so many great things that come out of my painting that I would be crazy not to want to do it as much as I can, so I do.




What's your favorite art piece of yours and why?


My favorite piece of mine is Titled "REFFAJ". I just recently sold it and I can honestly say that I have felt the separation. The story and feelings that inspired the painting were so intense and the journey it took to actually finish the piece was nothing like I had ever experienced before. The painting essentially represented the many layers to an individual (in this case, me) and in the moments of darkness, there is still hope. This piece was a very therapeutic process and I became very attached. Gratefully, it found an amazing home to live in and I am sure they are enjoying it as much as I did.



What are you working on currently and please tell us about it... As much as the colour/design but also the meaning of your work and what inspires you.


I am now working on my 2012 collection and I have transitioned back to canvas (I had previously been working only on wood panel for the last year). Last years collection was highly representative of the struggles and hurt that I had endured the previous year and the process in which I overcame that pain. I can honestly say that I have come out stronger on the other side and I am completely inspired to paint from a place of healing now. Most of my art is highly texturized which encourages up close curiosity by the viewer and I am drawn to the earth tones as these colors best represent the emotions that I am trying to convey.



For you, What the best thing about being and artist?

The best thing about being an artist is experiencing the emotions that my paintings create for other people. I am fascinated by the diversity of people's imaginations and the power that color and texture can have on someone. I adore the abstract form as it allows people to come up with their own interpretations and if I can create that one piece that is going to "speak to somebody", then I have done what i have set out to do.



For you, What 's the most challenging thing about being an artist?

The most challenging thing about being an artist for me is trying not to be so hard on myself and just being one with the creative process. We all have less creative days, and I just try and remind myself that . When I just approach painting with an open expectation and not feel like I have to produce a master piece each time, the journey with a painting is so much more rewarding.




How would you define success for yourself as an artist ? What are some success you have achieved thus far on your journey, and what has been a key factor in you achieving your success?

I would define being a successful artist by "continuing to paint because it fills my soul". Obviously, if I can get/sell my paintings to the public and world to enjoy, then that's just an added bonus. The success that I have achieved thus far in my journey is a) finding the courage to put myself out there and actually become an artist and keep at it, and b) having my first solo exhibition at Raw Canvas. I can't remember a better feeling than being in a room filled with people who love and support what I do.



What 3 pieces of advice would you give to other artists?

1) Just pick up the paintbrush and paint. You'll learn tricks, you'll figure out what works, what doesn't, but you can't do that unless you paint. Don't be afraid to get a little messy and makes some mistakes. Sometimes the worst mistakes make some of the best paintings.

2) Promote, promote, promote. You are your biggest fan and ally and you need to sell yourself and believe in yourself. Be proud of what you do and let people in with your story and process. People love to hear that stuff.

3) Reach out to the artist community. You'll find that other artists are going through the same things and it's always good to ask them what they have learned or how they have dealt with things in the past. They can then be another promoter of your art and the whole "snowball" effect starts there; Artists supporting artists (for example, this blog!!)



I am, as you know, a big believer in self care - especially for artists! What do you do to nourish your self and soul? to re-energizing yourself i fyou're feeling over taxed or drained, how to you re-group so to speak?

I am a huge believer in self care. I was once told to "fill your cup full for you, everything else that spills over is for everyone else." You are no good to anyone else unless you are happy with you. The top four things that nourish and revitalize me are a) obviously painting, b) walking (i'll walk for hours), c) reading and d) spending time with my friends and family.

Life is so hectic and there are so many things that can throw us off balance. I make it a point to listen to my body and not feel guilty about spending time for myself to re-energize.




What recent or upcoming shows/and or gallery representation can we look out for or go and see of your work?

I am excited about the upcoming year. I have a three month show at Lut Boutique (www.lutboutique.com) some time during the summer (dates still to be finalized) and I am collaborating with two artists that I met at the One of a Kind Show and we are organizing our own emerging artist group show for september. I have some art available on line with Raw Canvas (www.rawcanvas.com) and I am always willing to set up a viewing either at my home or by bringing my art to your home to see how it looks in your space.



Email: info@donnagiraud.com

Website: www.donnagiraud.com

Facebook: www.facebook.com/donnagiraudart

Twitter: @donnagiraud


A few days after posting this blog, Donna send me a link showing her recent interview with OOPS Magazine from Japan! Hey Donna, I never knew you were a soccer star! Very Cool. You can find the interview at: www.oopsweb.com



Telus TV Interview


Last year (2011) I was contacted by TELUS TV Producer, Mia Jagpal, who had seen a workshop flyer of mine posted at a coffee shop in Gastown, got intrigued about my art, myself, and my story and called me to ask for an in studio interview.

It was the week prior to the Culture Crawl so my studio was set up to show art, not really make it. Never the less 2 and a half hours later we talked about art, creativity, my process and inspiration and they even got me painting! (best part!) Oddly enough the little painting I worked on during the filming ( a 9 x 12" little gem on loose canvas) ended up selling to one of the first collectors that stopped by my studio the Culture Crawl weekend!

Here is a link to where you can see what aired on local TELUS TV from the interivew. I think Mia said they could condense 2.5 hours into 7 minutes so it'll be interesting to see what remained!

**Please note, my segment comes third after the underground circus and healthy shopping features.

View at: http://vimeo.com/telus/review/34817512/a8c7334cff please login with the following password: telus.
This episode is available for 30 days from the date you received the link. (Tuesday January
17th, 2012). Due to storage restrictions, we will no longer have access to your content after the 30 day window. We will not be able to provide you a link at a future date, if you miss the window.
Again, thank you for sharing your story with us and should you have any feedback or story ideas, please don’t hesitate to contact our team at myCommunityTV@TELUS.com

Enjoy!


Upcoming Free Presentation "Illuminate the ARtist Within" with Deb Chaney at the Downtown Vancouver Public LIbarary


Illuminate the Artist Within

A free public presentation by Deb Chaney


Spend an hour with Deb Chaney and re-ignite your inner artist. Learn what stops us from making our dreams a reality, and how you can go beyond the blocks. Giving yourself permission to pursue your creative dream may be the best gift you ever give yourself. Find out why.


Date/Time: Wednesday January 18th 2012, 7:00 pm


Location: Alma VanDusen & Peter Kaye Rooms, Central Vancouver Library, 350 West Georgia St.


Admission is free. Seating is limited.


2012 New Year's Goals


As is my custom since I started writing a blog, now nearly 5 years ago, every year at the start of the year I share my goals.


I've learned that the simpler my goals are, the more likely I am to keep my commitments and make the goal.


I like specifically setting goals in various areas of my life that are important to me such as health, friends, travel, my daughter Ruthie, and my business/earnings. There are many other

categories I'm sure but these came up quickly and easily for me and seem important this year.


In sharing my goals with you ( thanks for reading!) it makes me even more committed to keep my word. It's also my hope that I inspire you to set off and make your dreams and goals come true by first putting them in writing. Good luck and feel free to share one or more of your 2012 goals in the comments section below the blog!



Deb's New year's Resolutions/Goals for 2012


(in no particular order, all these categories are important)



Health - just being, dancing, eating well, yoga, deep breaths, walks, sauna, skiing, hiking,


journalling, art making for me.




Business - Delegate as much as my business as possible.











Friends - connections, music, laughter, trust, reciprocation, good food, gatherings with women, walks.










Money - Double (or more) my 2011 income and save 15% of what I earn.








Travel -- Visit France/Spain-- bring my bike and tour!








Ruthie -- camping together in the summer to the Queen Charlotte Islands. (Hadai Gwai)













Breathing Space: Skiing at Mt. Seymour

Absolutely lovely sunny December day telemark skiing up, and down, Mt. Seymour just out of North Vancouver. Could not have asked for a better day. All I can say is thank good ness for epsom salt baths when I got home. This was my second time skiing in 10 years, so might I say my muscles are still re-adjusting! Needless to say, this exertion was a wonderful re-set and break for my soul and the perfect half day vacation prior to Christmas.




















Here is a little youtube video I posted when I got to the top. Beautiful panoramic view at the top of Vancouver. http://www.youtube.com/watch?v=LgNTFsgQ4i0&list=UUECPFG9j_82Bq4h0HeAUujw&index=2&feature=plcp


Pictures from the Advanced Workshop "Using Acrylics to Create Encaustic Effects"

First off I 'd like to apologize to all my advanced students who took the thick and layered - creating encaustic effects with acrylics workshops both this past October 2011 and in May/June 2011. I was sorting through files, photographs and blogs between christmas and new years and noticed that I had never posted these. My apologies.

To new or prospective students, these are photos from inside this workshop and would give you a great sense of what you would do, learn, and experience inside the "Using Acrylics to Create Encaustic Effects" workshop . Keep in mind that every workshop varies a little as I like to keep things interesting and am constantly improving them! Enjoy!

Embedding heavier objects - such as old chinese coins - into mixed media paintings.

The demo table - so much stuff, so much fun!

Taking notes, asking questions, watching Deb throw paint and mediums around!


Deb sanding acrylic p aints and mediums with an electric sander.


Going outside to talk about using an electric sander with acrylic paints and mediums.

Exploring mark making with different shapes, lines, and with both adding and removing paint.

Buttering on a thick opaque layer over a ground.

The girls go at one of my paintings, overcoming fears and just going for it!

Making acrylics paint stay wet longer with retarder.

Using GOLDEN absorbent ground.

Adding a clear transparent textured layer using regular gel.

An example of a painting using various different opaque, transparent, and translucent mediums to create depth, texture and interesting effects.

Seeing how light moulding paste can hold stencil shapes so well.

working with small pieces can be a great way to get to play with mediums.




Adding layers extended with water and gloss polymer medium.
Liquid acrylics work best for this process. Adding water increases the flow of the paints.

Creating a textured ground using Liquitex super heavy gesso,
and then adding glaze layers over top.


Dripping layers. So much fun!


Pouring clear polymer gloss medium right on top of the painting.

Using a putty knife to apply thick opaque super heavy gesso.

Applying a thin layer of glaze onto the dried textured ground. GOLDEN liquid acrylics works best for this!




A beautiful thickly painted under layer with some etching marks in it. Love this green colour!

Amanda enjoying the process! The green seemed to be very popular with this particular workshop!


So much fun - mixing paint and applying thick layers and scratching back into them.

Working away!

Everyone seemed to be working on green paintings for a while during this workshop!

Our fantastic and very enthusiastic father-son duo painting away!






Beautiful etch marks textures into that first thick opaque layer. Two more layers to go!

Working away!



Paintings on panel put by the fire and fan to dry.


Fran and Nicole really enjoying the process.









Deb priming a board with GAC 100 to prevent SID ( support induced discolouration)



GAC 100 - a mixed media painter's best friend. Use it to prime masonite, metal, wood or plastic. Use as a clear gesso. Use in between layers to add tooth on hard to adhere to materials such as pouring medium, self leveling clear tar gel and polymer gloss medium.

Student painting

Registration has now started for the next advanced workshop....

FEBRUARY 2012

Thick, Layered & Encaustic-like Abstract Paintings. How to Build thick layers with Acrylic Mediums.

Dates: Saturday & Sunday February 25 & 26th, 9 AM - 4 PM. VANCOUVER , BC. TWO DAYS.

Registration: info@debchaney.com (604) 736-5111

Cost: $375.

Interview from Macedonian Art Student

Recently, via Facebook Sasho Ackovski from Macedonia contacted me and asked me a few question about being a professional artist. First, here is a little about Sacho and what he is doing with respect to his art and studies ...

"Hi Deb...firstly I want to thank you for your answers, it will be a great help for may essay. I will use this answers for my exam in history of art, I should write a short essay about " what conditions must to be done if you want t o be a free artist (professional artist)" I intend to make comparison of conditions in my country- Macedonia with conditions from other countries if I get response from other artists. This essay is a part of larger project which we need to do with my colleagues, we should explore the relations between artist, audience and institutions. My task is "Free artist"...a kind of institutional critique.
The essay will not be published in media , it will be used only for a personal purpose and if you allow me your name will be mentioned in the essay. If you are interested in I will send you a finished version.
I found you accidentally on net, when I looking for an idea to make some painting and I saw some of your paintings….and than I sand you a friend request……
I live in Skopje the capital city of Macedonia,I am born in 15.07. 1972. I have finished high school of economy. Now I am a student faculty of fine arts in Skopje “St. Ciryl and Metodius”. This is my final year of study, I will graduate in June as a “Painter with directions- conservations and restoration”. I have several group exhibitions and I hope that my solo exhibition will happen next summer. Except studying I am working a part time as a waiter in a hotel “Aleksandar palace” to pay for my study. My hobby is playing a guitar."

I thought I would share this with you as some of you may be interested in his questions and my answers.

1. How many solo exhibition you need to get status as a professional artist ?There is no set number of exhibition you have to have that I know of. But if you are applying for a certain competition or status (ex. I am an elected member of the Society of Canadian Artists which gives me SCA status) they might sometime ask that you have done 'X' number of show before you can submit to them.

2. Is it necessary some kind of art education ? Many artists that I work with and have mentored with have no formal art education. Many of my contemporaries also have plenty of art education -- BA, MFA, pHD. It varies. Education does not = success.

3. Do professional artists have any support by institution,state, museums and galleries?It's going to be different in every country. For example, in Canada you can apply for grants through the Canada ARts Council ( government funded). When I lived in California USA, there were many private grants available. There are programs and funding available through museums and so on but I don't have much knowledge of them.

4. Does he pay taxes ? Yes, when you are earning money as an artist it is like any other business, you must declare your income and pay taxes.

5. Some information about paying health and pension insurance and pension. Basically you are considered a sole proprietor/self employed so you have to look after all of these things for yourself.

6. Is it possible financially to survive as a free artist or you need extra job ? Most artist have another job, but, it is possible - I work solely as an artist and support myself from the sales of my fine art and my workshops. I don't have another job. :)

7. Which term you use for- free artist ? Professional artist. for me, that means someone who is making money from their art. As opposed to a hobbiest.

8. Few things that you do not like about work of institution, museums and galleries? Basically as soon as you start working with them ( museums, galleries, etc) you have to enter into an agreement in which you must abide by their rules. Some galleries won't let you be shown at other galleries. Some galleries may take a % of sales income if you sell an art piece directly to a collector. Some galleries force you to charge the same prices as their gallery at your open studio show and other shows. The list goes on.... Each artist has to decide if the agreement is worth it for them.

9. By the way I like your style of painting... Thank you


Hot off the press: BC Artists 3rd Edition Book -- Just in time for Xmas




This could make a nice last minute christmas gift to inspire an artist in your life... .

Artists of British Columbia, Volume 3, Editor is Leighdon Studio Gallery/ Jane Richardson. ISBN 978-0-9783296-8-6. Soft cover. 112 pages, 9” x 9”. Published January 1, 2012. $19.95

This book, the third volume in the Artist of British Columbia book series, included information about thirty-nine British Columbia artists with sixty-five colour reproductions of their work. These artists are different from those who have already appeared in Volumes 1 and 2.

Artwork presented includes paintings (acrylic, oil, watercolour, and mixed media/collage) conté and graphite drawings, as well as hand-painted silk works, Chigiri-é, digital merged media, photography, and Raku ceramic sculpture.

Featured artists include Appleby, Argyros, Balma, Bernard, Bilodeau, Bruno, Chaney, Clark, Desjardins, Eisenbock, Faessler, Fogell, Gavel, Greig, Gunnars, Hill, Jaxon, King, Maurus, Maximchuk, McLennan, Mithrush, Mohr, Muma, Nichols, Osterlind, Pehme, Pistak, Roddie, Salemink-Roos, Scharback, Schmidt, Simpson, Stewart, Strong, Tiernan, Varney, Wade, Ward.

Contact the Publisher for more information:

Jane Richardson

Leighdon Studio Gallery

604-926-8477

in Sechelt 1-604-740-0315

jane@leighdon.ca

www.leighdon.ca



Collage Creations Workshop - PHotos!


The end of November marked the first Collage Creations workshop to run. We had a small group and enjoyed my home studio with the beautiful view of east vancouver - lots of light- and each participant had their own table to spread out and make a beautiful creative messes! Here's a look of what we did...

Yarn, collage papers, bicycles, horses ... no limit collage art!

We practiced gold leaf. Here's my gold leaf moon on a practice piece.


Beautiful messes of art in process. Love all the colours, textures and papers!




We made unique hand made journal covers from the white craft paper that covered our tables during the weekend and took our spills and drips.

Stained tissue papers, split ink, stamping...
Staining with india ink and acrylic inks

Our letters and lazertran project...layers of paint, old letters, gel medium, inks, and special image printed on clear lazertran paper as a focal point for the collage project.

My letteres project in process.
Dipping the dry printed image on lazertran paper into warm water to let the back peel off.

Hannah soaking her lazertran paper (warm water)

The start of a stained tissue paper colllage with inda ink and stamps.


Split ink technique on hot press paper with stained tissue papers using liquid acrylics.


Debbie hard at work/play.



A myriad of collage and round papers ready for use.


Full view of studio.

Deb's tissue paper collage piece in process. Rocks are so useful to prevent the light tissue paper pieces from blowing away!

Hannah working away.



Using the brayer to roll on thin scattered layers of paint and create beautiful effects.

Watching Deb demo.


Integrating old Little Gems from the Energizing and Experimental workshop into new collage work!

So much fun with many layers and adding gold paint pen embellishments to add some zing!


Hand printed words and PITT pen india ink scribblings added to layers of collage.

Want to do it? Next workshop runs in March 2012. details at http://www.debchaney.com -->workshops. "Collage Creations" see you then.

Montessori kids visit the studio!

In November this year a wonderful group of grade 6/7 kids from North Star Montessori Schoolin North Vancouver came to visit my studio/home and to do some abstract painting. They were in process of organizing and fundraising for an upcoming trip to New York to visit the UN. The plan was to paint some abstract paintings and auction them off to their parents to raise funds for the trip.

The group were a delight to have and seemed to really enjoy exploring the studio, abstract painting, and goofing off! My favorite part? The girls giving me big hugs on their way out! Love you guys!
We integrated water soluble graphite pencils into our abstract paintings.

On the left: dry light moulding paste overlain with charcoal. On the right charcoal was rubbed over dry acrylics
.
Busy working!

Beautiful!

Hannah in her painting groove. We did some dancing too. Great fun!

In the foreground: stamping with foam stamps using basic acrylics.









Deb talking about abstract painting principles and pulling their paintings together. These kids were great listeners!

Hard at play!

Liam dissolves rubbing alcohol onto wet turquoise acrylic paint.

Using sea sponges.
Dripping, scraping, painting, putting on, removing. Busy bees at work.

Every one enjoyed spraying rubbing alcohol onto their wet acrylic paintings
to create neat effects.

Concentrating.

Up close. Love those little hands.

Using the back of our paint brushes to add scrape lines into our paintings.

Mixing paints with palette knife to create that right hue for her painting.





Creative Inspiration: using Clear Tar Gel

Here's a small easy little project you which will give you a super cool little final product that
looks like encaustic art ( wax painting) and will give you experience using clear tar gel and self leveling clear tar gel. You can do one step at a time in less than five minutes, then put the project aside and go to work/school/ live your life....come back and after 5 steps and lots of in between drying time, you'll be there!


Here's what you'll need to set up:
  1. clear tar gel in a squeeze bottle
  2. self leveling clear tag gel ( and a spoon to scoop it out)

  3. a small canvas or wood board (3" x 3" or so)
  4. A heavy body acrylic paint - colour of your choice (brush to put it on)
  5. Rubbing alcohol and a small piece of sand paper
  6. water bucket and paper towels

step 1. Start by painting your little canvas/board the colour of your choice. If you are using heavy body acrylic paints, put this layer on thick so the colour is opaque. let it dry.


step 2. Once the under layer of acrylic is dry, using your squeeze bottle, put down some drops or lines or shapes of clear tar gel. Keep in mind that wherever you choose to put the clear tar gel the colour under neath is will be preserved in the process of this project. Let it dry overnight.


step 3. Once the paint and clear tar gel layer is dry, go at it with your rubbing alcohol and sand paper. Some of the paint from your first layer will come off and you will create a warn out mottled effects. Notice that you can't remove the clear tar gel so the colour under neath that will stay in tact.

step 4. (Optional step.) If you want to you could add a found object or collage to your little

painting at this point. Adhere paper with soft gel gloss. Adhere heavier found objects with regular or heavy gel. Let it dry.


step 5. Your final step. Now smother the entire little painting with self leveling clear tar gel. This is a beautiful way to integrate all your layers as well if you chose to add an object or paper it will make them look like they are embed in wax - looks super cool. Let it dry overnight.


Have fun and enjoy the process!



If you enjoyed this process and would love to learn more things like this, you might enjoy:Thick,

Layered & Encaustic-like Abstract Paintings: How to Build Thick layers with Acrylic Mediums. (2 DAY WORKSHOP) More details here: http://www.debchaney.com/debchaney/Workshops.html

a huge post-CRAWL Thank you!


Thank you so much for everyone that stopped by the studio this last weekend for the 2011 East End Culture Crawl. In total at the ARC we had 2, 400 visitors and I want to give everyone so much for credit for walking up those stairs on Sunday when the elevators broke! Thank you!


I also especially want to thank Jeffrey Boone for stopping by and for facilitating the studio interview for a number of us artist at the ARC with Novus TV. (www.novuscommunitytv.ca) (youtube.com/novusTV).

Also a heart felt thank you to my dear friends Mir whom brought me lunch and Tim Sullivan who hung out with me pretty much all of Sunday so I could take breathers, eat, and go see other studios - thank you Tim!

and last but by no means least a HUGE thank you to Bill Chaney for organizing, packing and shipping up my propanels in time for this show. The panels made the show and it's all thank you to Bill - THANK YOU!!!





2011 Culture Crawl original art collectors of Deb Chaney's work - Thank you!



















a big pre-CRAWL Thank you


This upcoming Culture Crawl show (Nov. 18, 19 & 20th) would not be possible without the help of many people. To start I want to thank my parents, Rob and Margaret Bear for helping raise Ruthie like their own daughter. Without your help I would not be able to do what I do – Thank you. I love you!


I am eternally grateful to my neighbors. For the men that pulled together and built the loft you will see when you visit my new home/studio (#704, 1701 Powell St) -Thomas Hughes, Mir Agol and Darcy Davis of The ARC. I thank you for your time, effort and kindness. Rena and Thomasz for every cup of tea, every meal, and being there when I needed an ear to bend – Thank you. Janet Sadel for our collaborative breakfasts and dinners - I’m always grateful to be fed - thank you!


To all my workshop participants, private students, and community center students – thank you for showing up, for your enthusiasm, and for telling you friends about my workshops.


Thank You to all my art collectors…To everyone that made it to my open studio at the CRAWL last year and at AIOM earlier this year. Especially Krisse and Jen and Volution Salon in Kits for hosing my best show ever. Thank you ALL for making an investment with my work.


Thank you Guy Thornburn and all the staff at Embers Build a Business program who have supported me in creating my dream. Melanie Buffel for six months of amazing money coaching.


THANK YOU Kiona Hartl for your inspiring friendship. Lisa Penz for always raising the bar and inspiring and motivating me. Trista Galbraith for supportive phone calls, Misty Hogan for sweet FB posts, Lyza Loo for being there. Thank you Kim Boivin for helping me create a better me every week, Dr. Judith Bush for so much support, Theresa Ross & Mary Ayles for stepping up, Darcy at POKE Community Acupuncture for all your help and support.


And to every one in my life that brings love, light, support, food, hot tea, warm hugs and support - thank you!


Upcoming Art Show & Sale - Home Studio Event! November 18, 19, & 20th

November 18, 19 & 20th, 2011 East Vancouver Culture Crawl Event – Deb Chaney Open Studio & Art Sale


Once in a while I receive and Email from a collector, a fellow artist, friend, or social media or blog follower asking me what I’m up to and when my next event it. First off, I make a point of posting all my events (what I’m up to) on my website under “events” so if you’re wondering when can I visit Deb’s studio or meet with her, this is the page for you. If you don’t feel like checking periodically back with my website (I don’t blame you, I’m busy too) note, that you can get this blog directly feeded into your Email there is a sign up thingo on the right hand side of the writing à (over there) you just put in your Emai address and press the button and it should enable you to do this.

The next “big” thing is the annual East End Culture Crawl which happens every year in East Vancouver whereby over 350 artists of all genres – and I mean everything from performance art to hand made purses to woodwork to abstract art - open their studios

This November 18th, 19th and 20th, 2011 will be particularly special as my second Culture Crawl but my first time I will be opening my home and live/work studio at the ARC ( Artist Resource Center).


The ARC is a very special building with over 80 live/work studios of artists. I don’t know everyone in the building (yet) but I can tell you that everyone I do know thus far is special, talented and a pleasure to know and inspiring to be around. The nice thing abut the ARC building is that often during the Culture Crawl is pours with rain and if you come and visit us you will be able to see many artist and many different styles of artwork under one roof. Ah yes, staying dry and warm is a nice option!



So here’s the skinny: Opening Night: Friday November 18th from 5-10 PM. If you’re a party type person I’m sure you will be able to find that scene or more than one of the studios. My doors will be open and you are welcome to drop by that night, especially if you’re a collector of mine and you want first dibs at the new abstract art pieces. Or you want to touch base and say hi. Please note that my studio won’t be a party scene though.

Open Studio and Art Sale: Saturday November 19th 11 am - 5 PM

Sunday November 20th 11 am - 5 PM. Both days I’ll be open and welcome you in my home studio. Again you know you’re coming to purchase art, first come first serve so get here early.

Address and map to get to the studio….

The Arc Live/Work Studios

Studio # 704

1701 Powell Street

Vancouver, BC

V5L 5C9


google map link

See you in November. Best, Deb.


Creative Inspiration: A new way to quick-start abstract painting

Creative Inspiration: 10 minute mark making & abstract painting!

I’ve decided to include a new item to my blog I will call “Creative Inspiration”. This blog write up will be dedicated to giving you something inspiring to support you in your art and creativity. Often it'll be something you can do or try.

Today I’d like to share with you a really fun 10 minute abstract painting practice piece you can do easily and quickly.

If you have taken a workshop with me or planning to in the future, you’ll know that I am big on practicing painting with little paintings, I call Little Gems.

These pieces are all about getting you into your groove, allowing for mistakes, working with ideas in a small way and simply getting starter – which can often be the biggest hurdle.

So, let’s get started.


Materials. 3 pieces of paper. 9 x 12” size is good. Paper that is labeled for use for acrylics or a heavier watercolor paper (90 pounds or heavier) this would work fine or you could also use canvas pads, but for this exercise


Gather some drawing tools you have on hand. This could be conte sticks, charcoal, pencils, water soluble graphite sticks (derwent or Lyra).



Basics: Yogurt containers for water, a few brushes, papertowels.




White Gesso. For best results I recommend Liquitex gesso (it’s the same consistency as cream and works beautifully for this exercise!)




SET UP. Get your three pieces of paper out and ready to use. Also fill up your water buckets, fold your paper towels, have your brushes and white gesso ready and available.



FREE SKETCH. Make marks on your papers just free scribble, lines, images, words, curves…no rules, be brave, make a mess, be fearless and have fun, play. Putting on music that energizes or inspires you may help free up your creative spirit here.


WATER & GESSO. Now paint over some parts, all, just a section of your lines and marks with water and white gesso. Experiment blednign the gesso with your black media and see if you can make shades of grey that add dimension to your piece.

MORE PLAY! If you are using the thin Liquitex gesso, you can put these painting aside and they will dry quite quickly. Then when the painting is dry you can go back and add more lines and marks and then another layer of white gesso. Or scrape back.

Just working in black and white can be liberating.




You could also add colour your final paintings if you choose. The only limit – ever – is your imagination. ( used Quinacradone Nicko Azo Gold in GOLDEN Liquid acrylics here to create the yellow/gold glaze over the black and white under layer image)




These are a few photos of practice pieces I did for this exercise. They are not great, I wouldn’t even call them that good. But It’s not the point here to make great art. We are freeing our creative spirit and practicing here and making bad art is a good way to do this.


My hope for you is that you allow yourself to make some bad art and have some great fun doing it.

Be Brave! Go do it!

Illuminate the Artist WIthin (TM) Retreat - this December






This December 9, 10 & 11th, 2011, join Deb Chaney and a small group of artists for a 3 day, two night ‘illuminated’ retreat experience in support your self and your inner artist. This is a retreat for YOU. Take time for yourself. Take time for your art.

This retreat is for artists looking to quietly work on their own personal creative project,
receive support on their inner creative process, and learn the secrets of an illuminated artist : how to stay inspired creatively despite any obstacle.

Participants will have 24hr studio access each day of the retreat, home cooked meals provided, the optional of morning yoga, the option of a local hike to a 40 ft. water fall, the invitation of a group evening campfire (weather permitting), quiet time by the fire to read a book or socialize,
an available hot tub, and the joy to breathe the fresh air and feel the calming sound of the creek running through the retreat property.

Materials List -- bring the supplies you need to work on your art work/creative project, your bathing suit & towel, everything you need to be comfortable for 2 nights, hiking boots, rain jacket, journal and pens.


DECEMBER 2011 - 3 DAYS - Roberts Creek, British Columbia

Illuminate the Artist Within(TM) Retreat.
Location: Rolling Earth Farm Retreat, Sunshine Coast, British Columbia
Dates & Times: Friday, Saturday & Sunday December 9, 10 & 11th, 2011.
Start 10 am Friday, end 4 pm Sunday.
Cost: 3 days, 2 nights, meals, all incl: $ 550 shared accommodation, $ 650 private room.
(Meals and Accommodation included)
Registration: Space is extremely limited. info@debchaney.com (604) 736-5111

Here's what students of Deb's recent workshops have to say:

" I loved the weekend, Deb's energy was wonderful. Having never picked up a paint rush, I was made to feel like an artist. What I learned was that art is a process, such as life. My art will now become part of my life process and my life part of my life art process. Bring it on! Thanks Deb!"
- Rosie Watson, RN, Vancouver, BC

"Deb is a great teacher who bring out the best in all of us. My experience was very rewarding and inspirational. The class allowed all levels of artist to experiment without being judged."
- Lauren Morris, Graphic Designer, Vancouver, BC

" Be ready to be wow'd...The information taught is fantastic. It is refreshing to see a successful artist teach techniques, secrets and more....while have fun doing it."
- Donna Stewart, Radiographic Tech, Sechelt, BC


To Register please Email info@debchaney.com or call (604) 736-5111.

Illuminate the Artist Within (TM) HIgh School Drawing Contest


Dear students who kindly submitted their drawings to the Illuminate the Artist Within (TM) drawing contest - Thank you!

First off, thank you for those of you who took the time to make the drawings and submit. Your time and efforts are much appreciated, thank you.

The winner is: Hannah Franes of Ashcroft, British Columbia.

The first image of hers shown here of the girl swinging totally captured the essence of what I was looking for and is my favorite of her three submissions. The drawings are great and I feel like Hannah really read the guidelines and followed them exactly as well as putting in her own creativity and feeling into this project. I can't wait to see other drawings if she's willing! Thank you Hannah! All of these drawings are (C) Hannah Franes and you must have her permission to use or reproduce them. Please stay tuned on this blog for an interview about Hannah.













Hannah has won First Prize.

- She will be featured as a selected artist interview online and published on this blog - Hanna, please call me to discuss the interview and then check your Email inbox for you interview questions... THank you.

- The winner will have your images published and used in one of more illuminate the Artist Within™ creative products. With your permission, Hannah, I'd like to use your drawings in my 74 card pack "the secrets of an illuminated artist". I'm hoping you'll be wiling to do more drawings too!

- The winner will be offered a spot of their choice in any one 2-day weekend workshops offered in 2011 in basic abstract painting, or advanced thick acrylic painting, or collage creations by Deb Chaney (visit www.debchaney.com “workshops” for full workshop details) valued at $350. Hannah, Please check out the workshop descriptions and consider which workshop you may want to take and let me know at: info@debchaney.com. Currently there are openings for the Collage workshop this November and the Basics in Abstract painting in acrylics and mixed media in January 2012.

- The winner will receive a $150 gift certificate valid at OPUS Framing and Art Supplies. I will talk to the folks at OPUS and see if we can get you an online store credit for $150 so you can order your art supplies from them online and get them delivered to your home as I don't think there is an OPUS art supply store close to Ashcroft. Check out the online OPUS store and start picking out some cool new art supplies: https://store.opusartsupplies.com/


There is no second place or runner up for the contest as no other entries fitted the feeling and image of what I was looking for as well as Hannah's. THank you for all your entries.


Breathing Space: Lynn Canyon, North Vancouver, BC

The tag line for the province of BC is currently: " British Columbia, the most beautiful place on earth" and I tend to agree. Here are some snap shots from Lynn Canyon in North Vancouver during a little afternoon day hike, breathing space for myself and a nice break from the studio. Enjoy!













Photos from inside the last workshop!

The following are some select photos from our last Energizing and Experimental Workshop here in Vancouver, BC which was a two day intensive focusing on the basics of abstract design and colour in abstract painting with acrylics and mixed media. We had a full house of amazing woman and I think the pictures tell all....



Little 9 x 12" practice pieces begin to emerge and unfold with layers being added and taken away.

Students begin to explore adding various m ixed medias into their acrylic paintings.

Stamps make great focal points and add interest into paintings.

A view from above. We have the contents of a few art supply stores in our workshop!!!

Working away creating....


Emerging completed and nearly complete paintings start accumulating on window ledges, extra table space and the floor underneath the tables where we paint.



I just fall in love with all the little paintings that are created in this workshop. It inspires me every time. Always different.


Getting into the mixed media here...

Using LYRA wager soluble graphite - 8B really soft and dark. Or as Jude said B = Black.
The round circles were made using rubbing alcohol and a dropper on the wet water soluble graphite pencil marks. Way cool!



Black india ink PITT pens are wonderful tools to add on acrylic paintings. Let them dry and then spray them with fixative before adding paint over top, unless you want the writing to smudge.
Getting out the chalk pastels to add a punch of colour on my acrylic canvas pad paintings.
Kelsie looks great here! Everyone else is seriously watching the demo!

Workable fixative is wonderful to spray over dry mixed media on acrylics so you can either finish the painting or keep painting over it without ruining/smudging the mixed media.

Practice pieces lined up for the next demonstration.
The demonstration table, little paintings ready to be added too!

Closer up of paintings in process!



Another view of the students working away. Playing...Work or play? :)

Deb wonders around the room to offer help or simply oohhh and ahhh at the amazing work that comes out of everyone!

More photos of workshop participants busy working!

The girls going at it! Music is playing and everyone is busy painting!

A view of the beautiful private studio we used for this workshop.


Deb getting the mixed media ready for day 2 -- coloured pencil crayons, chalk pastel, charcoal were just some of the items we used on dry acrylics.

Margo in action painting and pondering her work!




Georgina is working here with tape and removal techniques to create beautiful depth and interest into her work.


We all had fun. Lots of questions were asked.

In the background of this photo you can see some fun tools we use to remove acrylic paint and create interesting effects. Dollars stores and hardware stores and great for these: sanding blocks, pot scrubbers...
We all gathered around the "kitchen" area of this beautiful Dunbar studio to watch Deb demonstrate the next technique.

Up close, removing acrylic paint with sand paper and water.


Deb demonstrating using painter's tape from the hardware store to create shape lines in a painting, either curved or hard edge. We also made our own stencils using this tape.

For this workshop I introduced the Muse of Creativity, inspired by Katy Perry. We played her hit song "high school dream" and got into this groovin' archetype to support ourselves in grooving into our creativity. Oh yeah!

Coffee, tea, journals, tears, smiles and laughter were often at our morning and end of day circles.

We started each day in a circle, touching base and sharing how we were doing in our own process.

On the last day at the very end we did a group critique of one or two of each of the student's paintings. We all learned and grew and were inspired to continue painting!

Join Deb Chaney for her next workshop, details: http://www.debchaney.com/debchaney/Workshops.html

Artist Interview: Introducing ARC resident Mir Agol

As pre-lude to the Eastside Culture Crawl this upcoming November 2011 (mark your calendar!) I'd like to share with you some of the amazing resident artists here at The ARC at Powell @ Commercial in East Vancouver ... Join us here and visit this blog from now until November and each month I will feature a new artist. See what we do, where we live, inside our studios, and what we create. Hear our stories. Join us in our journey here at the ARC and leading up to the Crawl.

For August I'd like to introduce ARC Resident Artist Mir Agol (birth name Elia Mishkis). Mir is one of the most capable, skilled, talented, and extraordinary artists and human beings I have ever met. Let me tell you a little bit about Mir and then let's ask him some questions and see some images of his work and go deeper into his creations.


Mir is graduate of The College of Art and Design with Excellence in Kharkov, Ukraine and earned a BA in Fine Arts and Design. Mir describes himself as an experienced artist and designer, a colorful and dynamic individual who possesses a unique combination of crafting skills and computer design experience. He has over 20 years of project experience involving corporate identity development; sandblasting, stained & leaded glass design, exterior design of modern sculpture gardens, teaching arts and crafts, exhibit design; and casting, modeling, and molding. Mir also has training and experience in classical drawing and painting (water color, acrylic, oil), Graphic Design, Photography, Typefacing, and is proficient in Photoshop, Illustrator, Freehand, Corel Draw, and Fireworks.

He is fluent in three languages; English, Hebrew, and Russian. And, to top it off, he is a certified ski and snowboard instructor, avid rock climber, and unicyclist.




Mir, please tell us about your extraordinary childhood…about your childhood mentors and share with us some memories of your early experiences as a child growing up in art.

One night, when I was 7 years old, on a *Sylvester night, I wandered across the street from my home in Kharkov, Ukraine to the Design Academy located directly across from me, and befriended a couple of students form Design Academy.

I was a very easy communicative kid and joined them in a night of art, music and dancing. That night one of the artists, named Alyona, was very kind and danced with me. I met her boyfriend later that night when he asked if it would be possible for him to have a dance with his girlfriend. A friendship was formed and I fell in love with both completely.

[* Sylvester night: The night of the Holy Sylvester, the last night of the year, has always been the night of fools and a funny good time. The saint of this day, Pope Sylvester I, according to legend is the man who healed from leprosy and baptized the Roman Emperor Constantine the Great.]

Eugene Zavarzin and Alyona - Each one was a personality – they let me follow them around the Art Institute, help out, and learn from them as they went about their studies and projects. I managed to become their small brother, apprentice, little colleague… I started by washing his paint brushes and then moved into helping to build small miniature 3-D building models because at that time there were no computers. They taught me how cut paper with exacto knife, use an air brush, juggle, play guitar… and later – how to make stained glass panels. It was an amazingly rewarding experience for me…. How lucky was I – it was an indescribable world of fun with two amazing human beings who were happy to have me around.

In your studio I notice many small metal sculpture which you said were models for your bigger installations, can you please tell us about these large metal installations that you do…





The first sculpture I would like to share with you is called Unity. It stands nine (9) feet tall and is made of steel and stained glass. This Piece was positioned on the patio of “The Perch” The ARC Cafe for 2 years. Then it was relocated to Peace Arch for the 13th annual Peace Arch Sculpture Exhibition. Here is a You Tube video showing other sculptures at that exhibit. Currently it’s displayed on the campus at University of British Columbia. Unity was also included in Public Art in Vancouver - Angels among Lions A book about Vancouver Public by John Steil and Aileen Stalker.

Unity was created from the inspiration of an infinite beauty and flow of opposite natures. The indescribable of an unknown from within a vortex of coexistence of feminine and masculine beginnings. It all comes from relationships through out life. With myself growing within relationships with many amazing friends I’ve been lucky to have in my life. It is a tribute to all those who generously shared with me some beautiful moments. Also – it is about Twin Flames.

Looking back, once I started to build this piece here in Vancouver… I realized that the very first sketch was made in Palestine in a little village of Sa-Nur, which was once an Artist Village where I lived, and in ruins now…

The first model was made of black and white paper. It was 8” tall. As I say this it brings tears to my eyes as so many of the people I knew back then aren’t alive anymore – I wish this piece to commemorate them too!

Once I have made Unity in its full size and in my the real full scale – my final vision of it - I feel like then I can die peacefully. For now, I have to say that it is not yet made the size I had envisioned it. The current sculpture you see in these pictures was built limited by the size of the workshop doorways… it is always a way of thinking with sculpture… how you can make it happen, with what you have around.

What is it like to work with metal?

I have these moments of an inspiration flow, as I get to play with little pieces of steel. Once I would get to weld – the pieces would just appear - much themselves…and there is that amazing feeling that you co-create… you let the creation flow through you… this is where art begins I believe… you are most happy being if you can just let it happen … through you. So – I call it metal sculpting metal origami often… I gathered a bunch of those smaller models that are in my studio, and I make them into their true size.

Can you tell us about the process of creating a sculpture this size and also how you would go about installing it…

As I mentioned before– I usually begin with a paper model. The very first sketch is a paper. This is where I listen to my inspiration… once it is heard, the rest is a simple magic of leaving the life in this dimension of materials around us…and a bit of a luck of that feeling of ‘resistance of materials ‘… some people have it… than it is possible to play with 3D art.

There is never an easy way – for me there isn’t – I’m not looking for one… I will always push my limits, and the limits of materials I play with – this is my time of pain and glory. And this is how I can hopefully make the viewer to stop and say: ‘ wow – this is cool!’ – and this is my best reward by the end of it all…

What made you choose to do this form -large metal and glass sculpture - of art work considering your broad background and training in so many other areas of art?

Thank you for your compliments, I actually think that I’m not nearly trained enough… but am interested in interconnection of medias…

I majored in Graphic Design and have always been fascinated with Font Building and Calligraphy for example… and I hope it comes through in my work with metal and glass…

Since computers took over - I realized – I cannot be in front of one more than 4 hours… so I had to look for other playground – fire is my nature – so it was quite easy to get to know to weld metal, fuse glass.

For glass I had a long time love… started when I was yet a kid. My first stained glass panel I made (with a lot of help of my blessed mentor – Eugene Zavarzin) when I was about 10 years old. It is an amazing material - latest research suggests – it is not even solid… as we perceive it….if we would of taken a piece of an old stained glass panel – say – a thousand years old… and look at the little piece from a side – we would see that the top is thinner than a bottom… - it is flowing!....in fact it is flowing in hour hands! We are just not meant to be quite synchronized with THIS flow….yet – we can play with this material, create beautiful things of it – isn’t it amazing?

(Yes, it is! By the way, acrylic paint flows as well, as it’s drying but also afterwards!)

What are art projects are you currently working on?

Just as I usually read quite a few books at a time… - I work on few projects at a time always…

Currently, I preparing to build one of my next pieces “Dialog’. It has a base of a ball about 4 foot diameter, and I am looking for an old Marine Buoy for the base.

I am also working on one commission – it is inspired by my piece which was exhibited in Havana Café – “Tall Ship Shadows”. A collaborated project with fellow artists – Gabriel Morosan and Sol Diaz – it is promising to be big scale and intriguing – lots of photography, nude, motion and…glass.

As well – I’m sketching out a new model – a piece which is about our current situation on the planet – relative proximity of apocalypses with an option of taking care of a place where we live… the name just came to me recently - “Requiem for the Earth”.

If someone reading this blog would like to see more of your work, visit an upcoming art show, or get a hold of you, how would they do so?

Mir, Thank you so much for taking the time out of your very busy schedule the to partake in this interview!