When an Artist Finds a Community: Cassandra Myers' Residency on Gabriola Island

There are some people who leave an impression long before you fully understand the depth of their work.

I first met Cassandra Myers at the Gabriola Arts Council's welcome gathering for our newest Artist in Residence. Before I knew about the awards, the international recognition, or the remarkable breadth of their creative practice, I noticed something much simpler: warmth. Cassandra has an openness that immediately puts people at ease. As we talked, they shared that they were preparing for an upcoming solo exhibition in Toronto while beginning to imagine a completely new installation for their residency here on Gabriola.

Like so many artists, Cassandra stood at that familiar and exciting threshold—knowing something wanted to be created, but not yet knowing exactly what it would become. That willingness to embrace uncertainty is, to me, one of the true marks of an artist.

Over the weeks that followed, I had the privilege of watching not only an extraordinary installation emerge, but also something equally meaningful: an artist becoming woven into the fabric of an island community. We even squeezed in a fun studio visit to Fishhead Studio together here on Gabriola Island.

Meet Cassandra Myers

Cassandra Myers (they/she/he) is an award-winning poet, performer, dancer, illustrator, counsellor, and interdisciplinary artist from Tkaronto (Toronto), Ontario.

Their work lives at the intersection of poetry, performance, film, installation, and visual art, creating immersive experiences that explore identity, disability, gender, healing, and the human experience. Their poetry and spoken word have received national and international recognition, including the National Magazine GOLD Award in Poetry, ARC Poetry Magazine's Poem of the Year Award, The Malahat Review's Open Season Award, and many others.

Yet despite these impressive accomplishments, what struck me most during Cassandra's residency was not their résumé—it was their curiosity, generosity, and wholehearted willingness to invite others into the creative process.

Why Gabriola?

Side-by-side photos of the Kasahara Trust Residency viewed from inside and outside.

Cassandra came to Gabriola to continue developing Body All Pearls, an interdisciplinary poetry and installation project inspired by the body, vulnerability, transformation, and connection.

Drawn to Gabriola's shoreline, oyster beds, forests, and slower rhythm of life, they envisioned moving beyond the printed page by creating sculptural poetry using reclaimed oyster shells gathered from the island.

The Kasahara Artist Residency offered exactly what so many artists long for: uninterrupted time, natural beauty, and the freedom to explore an idea without knowing precisely where it might lead.

And lead it did.

When a Community Becomes Part of the Artwork

One of the most beautiful aspects of Cassandra's residency wasn't simply the artwork that emerged—it was the number of people who quietly became part of its story.

Island residents collected oyster shells.

Artists shared their time, ideas, and encouragement.

Workshops brought together writers, creatives, and community members eager to explore poetry and storytelling.

A youth poetry slam gave young voices an opportunity to be heard.

Committee members generously offered practical support—including lending Cassandra a vehicle during their stay—making it easier to fully immerse themselves in island life.

Again and again, people simply showed up.

That generosity became part of the work itself.

It reminded me that artist residencies are about far more than creating artwork. They create space for genuine relationships to form between artists and the communities that welcome them.

Watching an Idea Become Reality

From our earliest conversations, I heard Cassandra speak about the installation they hoped to create.

At that stage, it existed only as sketches, possibilities, and conversations.

Months later, I stood inside the completed installation.

Hundreds of suspended oyster shells surrounded visitors, each carrying fragments of poetry, memory, and reflection. Light filtered through the room, gently illuminating the shells as they moved almost imperceptibly in the air.

It was breathtaking.

As artists, we rarely get to witness the entire journey behind someone else's work—from uncertainty and experimentation to a fully realized installation experienced by the public.

Seeing that transformation reminded me that meaningful art asks us to trust the process long before we can see the outcome.

Body All Pearls

Walking through the installation became an experience rather than simply viewing an artwork. The suspended shells invited visitors to slow down, move carefully through the space, and discover poetry embedded throughout the piece. The work felt contemplative, intimate, and quietly powerful.

Each person seemed to experience it differently, which felt entirely appropriate for a work centred on vulnerability, healing, and the many stories our bodies carry.

Listen to Cassandra Describe the Installation

Hearing Cassandra describe the work in their own words offers another layer of insight into both the installation and the creative journey behind it.

Cassadra Speaking About Installation
Cassandra Meyers

Collaboration Behind the Scenes

Although the installation reflects Cassandra's unique artistic vision, it also speaks to the generosity of collaboration.

Throughout their residency, fellow artists offered encouragement, practical assistance, conversations, and expertise that helped bring this ambitious work to life.

Watching Cassandra welcome others into the process was inspiring. There was no sense of needing to create in isolation. Instead, collaboration became another creative material—one that enriched both the artwork and the relationships formed along the way.

Special Thanks to Fran Usher

One person whose contribution deserves special recognition is Gabriola sculptor Fran Usher.

Fran generously shared her expertise in metal fabrication, helping Cassandra develop the structural support that made the suspended installation possible. Her knowledge, encouragement, and willingness to mentor were instrumental throughout the process.

When I asked Fran about the experience, she shared these beautiful reflections:

"It was a real honour to be involved in the metal work of the installation and, more importantly, to see Cass refining her approaches and aesthetic decision making in this relatively new three-dimensional world of self-expression. Her clarity was amazing.

As a sculptor and conceptually themed artist, I could not help but be excited by the passion and complexity of Cassandra's conceptual output. How could one not support her in any way they could?"

Those words beautifully capture the spirit of this residency. Thank you, Fran, for your generosity, mentorship, and creative support.

To learn more about Fran's work at www.franusher.ca and @francesusher_sculptor.

Reflections from the Residency

As Cassandra reflected on their time on Gabriola, it became clear that this residency offered much more than studio time.

It became a season of experimentation, collaboration, friendship, and artistic growth.

The island's forests, beaches, community, and slower pace all found their way into the work, shaping not only the final installation but also the experience of creating it.

Those gifts are difficult to measure, yet they are often the most enduring.

A Grateful Farewell

As another artist, one of the greatest gifts of this experience was witnessing an idea evolve from possibility into something fully realized.

Watching Cassandra embrace uncertainty with such openness reminded me that creativity rarely begins with certainty. It begins with trust.

Trust in the process.

Trust in curiosity.

Trust that the work will reveal itself one step at a time.

Perhaps what I'll remember most isn't only the installation itself, remarkable as it was. It's the way Cassandra welcomed people into the journey, allowing an entire community to become part of the story.

For a little while, Gabriola wasn't simply where Cassandra worked.

It became home.

Thank you, Cassandra, for sharing your remarkable gifts, your generosity, and your creativity with our island community. It has been a privilege to witness your residency, and I look forward to following wherever your artistic journey leads next.

About Cassandra Myers

To learn more about Cassandra Myers, please visit cassmyers.com and @cass.myers.poetry.

Visiting Artist in Residence: Micah Goldstein at the Kasahara Gabriola Trust

Deb Chaney and Micah Goldstein at Deb’s studio — Gabriola Island.

There are many extraordinary things about living on Gabriola Island, affectionately known as the Isle of the Arts.

For me, this place truly feels like home. I moved here during the pandemic, seeking a landscape where nature, community, and creativity could coexist in a meaningful way. Gabriola offered exactly that—beautiful beaches for hiking, the ocean always nearby, and an incredibly vibrant community of artists.

Sometimes, though, the island offers even more than you could think to ask for.

Kasahara Gabriola Trust Artist Residency

A few years ago, I learned about the Kasahara Gabriola Trust Artist Residency, hosted by the Gabriola Arts Council. The program welcomes artists from around the world to live and work on Gabriola Island, sharing their creative practices and ideas with the community while developing their own work in a quiet and inspiring setting. You can learn more about the residency at the Gabriola Arts Council.

Last year, I had the honour of joining the residency committee as a volunteer. What struck me most was the extraordinary generosity behind the program. Many members of the committee offer their time simply because they believe in the importance of supporting artists and cultural exchange.

Artists are welcomed with a small gathering when they arrive, and during their stay they share their work with the community through workshops, talks, and an exhibition at the Gabriola Arts & Heritage Centre.

The Legacy Behind the Residency

The residency exists because of the remarkable vision of Toshiko Kasahara.

More than fifty years ago, Toshiko came to Gabriola Island almost by accident. She later built a beautiful oceanfront home here at the age of eighty. She loved the island deeply—the ocean, the people, and especially the arts.

Her spirit was adventurous and bold. She loved music, conversation, and connection. The home she built now serves as the Kasahara House, where visiting artists stay during their residency.

Today, her gift continues to bring creative voices from around the world to Gabriola, enriching the island’s artistic community.

Current Artist in Residence: Micah Goldstein

Visiting from Montreal, Micah W. Goldstein is the current artist in residence.

Micah’s interdisciplinary practice explores the intersection of printmaking, animation, memory, and place. Her work often focuses on intimate, reflective moments—hands interacting with objects, feet touching the ground, or the quiet awareness of moving through a space.

By placing the viewer very close to the subject, she transforms even small objects into entire worlds.

Her artistic process is deeply tactile and meditative. Micah experiments with ways of recreating digital effects through entirely analogue techniques—using tracing paper, lightboxes, layered transparencies, and shadow shapes to mimic movements such as pans or crossfades.

These ritualistic methods emphasize the act of making. Through layering, repetition, and careful attention to process, she builds dense visual environments that invite viewers to slow down and experience a moment of presence — what she describes as the feeling of being “here”.

Micah also recently shared the creative process behind one of her short films during an artist talk on Gabriola Island. The film has so far been shown in Ontario and Montreal through a student festival, and she continues submitting it to festivals internationally.

Her ability to explain both the conceptual and technical aspects of her work was incredibly illuminating—particularly for those of us without a background in film or animation.

Workshop with the Gabriola Community

icah Goldstein presenting animation fundamentals and production management slides at Gabriola Arts residency

Micah presenting the fundamentals of animation and frame sequencing during her community workshop.

During her residency, Micah also led a hands-on workshop for the Gabriola community, sharing techniques from her animation and printmaking practice.

Participants learned how animation is built frame by frame and how careful sequencing creates the illusion of movement.

The workshop allowed artists and community members to experiment with the same careful processes Micah uses in her own practice.

Inside the Creative Process

Micah’s process involves layering images, experimenting with transparency, and building motion frame by frame.

Her studio setup during the residency included a camera rig positioned above the work surface, allowing each drawing or paper layer to be captured precisely.

The result is a slow, attentive workflow — one that values presence and physical interaction with materials.

A Personal Studio Visit

Recently, Micah visited my studio here on Gabriola Island. We shared tea and cookies while talking about our practices, artist residencies around the world, and the evolving landscape of contemporary art.

Our conversation ranged from the Vienna Biennale (which she may be participating in), to creative process, to the personal journeys that shape an artist’s work.

It was one of those beautiful exchanges that reminds you why artistic community matters.

Micah is a thoughtful and courageous young artist — someone who is clearly stepping into the world with curiosity, intelligence, and heart. I feel incredibly grateful that our paths crossed.

Gratitude

Programs like the Kasahara Gabriola Trust Artist Residency remind us how powerful artistic exchange can be. Artists arrive from different places and disciplines, bringing with them new ideas, perspectives, and conversations that enrich the entire community.

Micah, thank you for sharing your work, your curiosity, and your presence with our island. It has been a privilege to meet you, and I look forward to following your journey and everything you create in the years ahead.

For those who missed her residency exhibition, here is a look at the Expanded Overlays showcase:

Expanded overlays was an exploration of works relating to animation, printmaking, and time created during the Kasahara Gabriola Trust Artist Residency. Artist-in-residence Micah Goldstein shared some of the work she's been developing while on the island, as well as a short under-camera animation demonstration using paint on glass. Micah's work was displayed both as individual frames and as full animated sequences.

Learn More

Visit Micah Goldstein’s Website to explore more of her animation and printmaking projects.
The Kasahara Gabriola Trust Artist Residency–learn more about the residency program and past visiting artists on the Gabriola Arts Council website.
Follow Micah on Instagram for behind-the-scenes look at her latest analogue explorations.

Toffia, Italy

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Greetings from Toffia, Italy. This is the walk from the main town square up to the artist residency. This town is over 500 yes old, 60 miles north of Rome. I'll be here for October working on a series of new paintings, enjoying the food and surrounding views & beauty, and getting to know the 3 other artists in residence here! Ciao for now!